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February 2, 2010
As jazz was a generation ago, American folk music is beginning—too late, as many enthusiasts insist—to be embraced and studied by the academic . . . study. In my opinion bluegrass music is one of the highest American art forms.” The concept of a bluegrass symposium at Harvard emerged years ago.
http://www.thecrimson.com/article/2010/2/2/music-bluegrass-oconnor-sym . . .
February 1, 2010
“Having a Grammy Award is a lot like having a degree from Harvard. You can go anywhere in the world and it carries a certain credibility,” said . . . dad really encouraged me to think of the banjo as an avocation, although they felt a lot better after the first time I took them to the Grammys.
http://www.signonsandiego.com/news/2010/jan/31/the-banjo-plucked-at-he . . .
January 9, 2010
Omaha Performing Arts presents an exquisiteblend of Celtic, folk, and jazz when the Alison Brown Quartet takes the stage at the 1200Club in the . . . two years of working in public finance, Brown burst onto the national scene when Alison Krauss asked her to join her band Union Station in 1989.
http://omaha.broadwayworld.com/article/Alison_Brown_Quartet_Performs_a . . .
November 5, 2009
http://www.facebook.com/pages/Alison-Brown/33819074798 . . .
November 5, 2009
http://www.myspace.com/abonbanjo . . .
November 5, 2009
http://compassrecords.com/alison-brown . . .